“Unproductive Labor, Invisibility, and Testimony in Emmy Hennings’ Das Brandmal,” in: Representing Social Precarity: Work, Poverty, and Dispossession in German Literature and Culture. Co-editor with Ulrich Plass (Wesleyan University) and Karsten Olson (UNC Asheville). Forthcoming with New Directions in German, Bloomsbury Press.
Review: Yiddish Writers in Weimar Berlin: A Fugitive Modernism by Marc Caplan. In: Shofar. An Interdisciplinary Journal of Jewish Studies. Forthcoming 2024.
Review: Branded: A Diary by Emmy Hennings, translated by Katharina Rout. In: Modern Language Notes 137, German Issue: In/Visibilities, edited by Nicola Behrmann and Antje Pfannkuchen, pp. 612–616.
Gertrud Bing: biographical entry, Encyclopedia of Jewish Women, Jewish Women’s Archive.
Mahindra Humanities Center, Harvard University, Cambridge, MA, April 2021.
Panel discussion: “Graduate Student Views on German Studies: Where We Are and Where We’re Going.”
German Studies Association, Washington, DC, Oct. 2020
Paper: “Emmy Hennings and the Ethics of Precarity”
Deutsches Haus NYU, New York, NY, Oct. 2019.
Panel discussion with Eric Jarosinski and Eric Banks: “Satire in Times of Crisis”
University of Iowa, Iowa City, IA, Oct. 2019.
Invited speaker at the Visiting Translators Workshop, Translation Program.
Rutgers University, New Brunswick, NY, Apr. 2019.
Invited speaker at German Graduate Student Association Workshop: “Emmy Hennings and Gabriele Tergit: Writing as Modernist Women in the Weimar Republic”
Modernist Studies Association, Columbus, OH, Nov. 2018.
Panel co-organizer, Thinking Graphically at the Margins of Modernist Writing and Art.
Paper: “Form, Style, and Critique in Interwar Germany: Simmel, Worringer, Kracauer”
German Studies Association, Atlanta, GA, Oct. 2017.
Paper: “Co-Reality and Correalism: Frederick Kiesler’s vitalist aesthetics as inheritor of the Lebensreform”